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This, then, is the reason why woman is doubly deceptive in appearance: she is everything a man dreams of and everything he cannot attain. She is the ideal mediator between the benevolent nature and man, and the unconquered temptation of nature, opposed to all goodness. From good to evil, she is the embodiment of all moral values and the embodiment of opposition to them. She is the subject of action and any obstacle to action, the man's grasp of the world and his frustration. She is, therefore, the origin and source of the man's entire reflection of his own existence and of any manifestation he can give to that existence. However, she also tried to let him leave himself and fall into obscurity and death. She is a servant and a companion, but he also expects her to be his audience and commentator, able to validate his sense of being. However, she opposed him with indifference, even with ridicule and ridicule. He projected all his yearnings and fears, all his loves and hates,smart boards for conference rooms, onto her. If it's hard to say anything special about her, it's because men want to find their complete selves through her, because she's all (an. That is to say, in the sense of the secondary, she is the whole,interactive panels for education, that is, she is the other completely. As the other, she is different from herself, and different from what people expect her to be. She is both the whole and not the whole; she is the eternal deception, the deception of existence that can neither be obtained smoothly nor fully coordinated with all the living. www.xiaoshuotxt.com The tenth chapter is the myth of women in the works of five writers. Novel-txt Paradise The tenth chapter is the myth of women in the works of five writers. In order to substantiate the above analysis of the myth of women presented in popular opinion, the following will consider the particular and mixed forms that have been adopted by some writers. For example, the attitudes of Montrand, D. H. Lawrence, Claudius, and Stendhal toward women seem to me to be typical. Men have always adopted the Pythagorean theory of the opposition between good and evil as their own tradition, and Montrand belongs to this long-standing tradition. He followed Nietzsche in insisting that only the era of malaise celebrated the "eternal woman" and that heroic men should rise up against the "great mother". The expert in heroism threatened to take away women's power. Because women are dark, touch screen board classroom ,interactive touch screens education, confused and restricted beings. "These shadows of turmoil are nothing but pure women," he exclaimed of Tolstoy in "Beyond Women." In his opinion, it is the stupidity and meanness of today's men to make up for the poverty of women with their righteousness. In order to publicize the literati's lack of logic, stubbornness and ignorance, and their inability to grasp reality, people often refer to their instincts, intuition and mysterious premonitions. Say that they are in fact neither observers nor psychologists; that they can neither observe nor understand the existence of life; that their mysteries are traps and deceptions, that their inexhaustible treasure is the abyss of nothingness; that they cannot give a man anything but damage him. For Montrand, the powerful enemy is first and foremost the mother. In one of his early works, Exile, he describes a mother who obstructs her son's engagement; in The Olympic Games, a young man devoted to sports is hindered by his mother's timidity and selfishness; in both The Celibacy and The Sand Women, the mother is portrayed as a pity. The mother's sin is to seal her son in her dark body forever; she destroys him so that she can keep him completely to herself and fill the barren emptiness of her existence. She is the most pathetic teacher, killing the child's anger, pulling him down, making him far away from the peak he aspires to climb, and eventually becoming a stupid and despicable person. The above complaints are not groundless. But through the many obvious accusations that Montrand laid on a woman like her mother, it was clear that what he hated about her was the fact that he was born.
He believed that he was God, that he wanted to be God, because he was male, because he was a superior man, and because he was Montrand. God was not a begotten being, and if she had a body, it was a will cast in hard and disciplined muscles, not a lump of meat that languished under the slaughter of life and death; and he held the mother responsible for this perishable, fragile, accidental, and body he did not recognize. "The only deadly thing about Achilles was the pedal his mother had pinched," Montrand said in "The Burning of Women." He has always been unwilling to accept the conditions under which man should live in the world, and he has always been proud to run away from adventure in fear, not to face the free existence of flesh and blood involved in the world; he refuses this involvement, and at the same time claims that he has the right to affirm his freedom; he has no attachment, no foundation, and he imagines himself as a very self-sufficient subjective existence; But at the thought of his mortal body,interactive whiteboard for schools, he gave up his dream, and sought refuge in the procedure he was accustomed to adopt: not to rise above his roots, but to denigrate them. hsdsmartboard.com